Approaching the Unseen Poetry Question (AQA GCSE English Literature)

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Approaching the Unseen Poetry Question

Your exam question paper will ask you to answer one question on an unseen poem. This can seem daunting, especially as you have to write about a poem you have never seen before. However, examiners just want to see your ideas and opinions about the poem. The guide below will enable you to best express these ideas and opinions in a way that will gain the highest marks. It includes guides on:

Exam Tip

As Paper 2 contains 96 total marks and the exam is 2hr 15min, and the unseen poetry question is worth 24 marks, you have about 35 minutes to plan, write and check your essay. A good rule of thumb is to spend:

  • 6 minutes reading the unseen poem and analysing the question
  • 7 minutes planning 
  • 20-22 minutes writing

SPaG (spelling, punctuation and grammar) is not assessed in this question, but it is still worth spending a couple of minutes reading over your answer to check for sense, and make any last-minute edits.

Students usually think that spending more time on the writing will gain more marks, but this isn't true: more essay doesn’t mean more marks! Examiners prefer shorter, well planned responses that have a clear argument throughout.

Indeed, long essays that are unstructured and sprawling can in fact lose marks for being unfocused. Therefore, it is vital to always set aside time to write a plan.

Answering the question

You will be set a question that asks you to write about an unseen poem. 

It is tempting to jump straight in and start analysing the given poem immediately. However, completing the steps below first will ensure you answer the question in the way that examiners are looking for.

4 key steps to answer the unseen poetry exam question effectively:

1. The very first thing you should do once you open your exam paper is to look at the question:

  • This sounds obvious, but it’s really crucial to read through the question a few times 
  • Why is this important? Regardless of what subject you’re being examined in, the single-biggest mistake most students make in their exams is not reading the question through carefully enough that they answer the question they think they’re being asked, rather than the question they’ve actually been asked 
  • It’s especially important to get this right in your GCSE English Literature exams, because you only have five essay questions to answer across two papers, so if you misread a question, you’re potentially costing yourself a large number of marks

2. Identify the key words of the question

unseen-poetry-master-1

  • The key words are the focus of the question: the specific themes or ideas the examiners want you to focus on
  • For the above question, the key words of the question are “ideas about living a happy and contented life” 
  • This is the theme the examiners want you to explore in your essay
  • Do not be tempted to write a question on any other theme: this will affect your overall mark badly, as you won’t be directly answering the question!
  • In the example above, the theme is living a happy and contented life, so make sure you plan and write an essay about this

3. Read and analyse the unseen poem

  • You should only now start reading and analysing the printed poem
    • Your reading and analysis will now be focused on the terms of the question, and the theme you have identified (living a happy and contented life)
    • This will change the way you approach the given poem, and make your reading more efficient

4. Consider your given poem in terms of this key idea or theme

  • Use your definition of the key terms of the question to frame your thinking about the given poem
    • Where do we see examples of living a happy and contented life in the given poem?
      • Who is presented as living a happy and contented life
    • How is living a happy and contented life presented by the poet?
    • What is the poet’s overarching message about living a happy and contented life?

Approaching unseen poetry

Approaching an unseen poem can seem very intimidating, especially as you will have to comment on a poem that you probably have not come across before. However, examiners just want to see you demonstrating your ability to ‘notice’ things in the text. They do not expect you to know and understand everything about a poem you have just read for the first time, so you should try not to be anxious about addressing this section of the exam. Indeed, examiners often comment that students generally excel in this section, as it is an opportunity for them to write about their own ideas and interpretations of the poem.

This section will provide some suggestions to help you develop a skillset that will enable you to read and explore any unseen poem. You don’t have to follow these in the sequence provided, nor are the strategies either exhaustive or to be treated as prescriptive. They are simply a list of some useful strategies that you might wish to use when approaching a poem you have not seen before. This section will show you how to develop some ideas about:

Reading Strategies

  • You only need to have a simple strategy for approaching the unseen poetry question in the exam:
    • Be confident in the repertoire of tools and strategies you already have in order to help you unlock what the poem is about
  • Usually the poem will have one big idea and this will generally be stated in the exam question 
  • When approaching an unseen poem, you should try not to worry about understanding what the meaning of the text is on your first reading:
    • Often that meaning is not unlocked on a first reading so you need to be able to read, pause, reflect and re-read the poem in order to uncover its meanings
  • It is important to understand the difference between the surface reading of a poem and the inferential reading
    • The distinction here is between what the poem says and what the poem means
    • Therefore, the examiner wants to see what you think the poem means, not what the poem says
  • Using an active and reflective reading strategy, like the one outlined below, can help you to develop a personal response to the poem:
Reading strategy for Unseen Poems

First reading: This is all about your initial impression of the poem:

  • First, read the title of the poem, scan over the poem on the page and take in its shape and the white spaces
  • Next, read through the poem and work out what the literal meaning of the poem is
    • Remember, there are no right or wrong responses at this point – it’s simply what you are thinking after a first read

Second reading: This is about looking closer and interrogating what you have read:

  • Read the poem for a second time
  • This second reading is all about noticing and questioning. Ask yourself:
    • Who is the speaker/narrator?
    • Who are the other characters mentioned?
    • What objects/ideas has the poet included?
    • Where is the poem set/situated?
  • You might also want to begin annotating the poem with some thoughts: 
    • What do you notice as you read? Do you notice any patterns or repeats, in words, phrases, images, rhyme and rhythm? Do you have any questions about the poem?

Third reading: This is all about exploring the meaning and the ideas in the poem

  • Read the poem for a third time
    • What do you think the poet is saying? Why was the poem written? 
    • What is the message of the poem? What does the poem make you think about? Does the poem make you see something differently? How does the poem relate to yourself, to other poems you have read, or the world/big ideas? 
  • It is useful to highlight different aspects of the poem during each repeated reading

Titles, openings and endings

  • Sometimes titles can get overlooked and neglected, yet they are often key to understanding the poem’s meaning or a reflection on the content
  • The title can even become a source of exploration in itself in your response to the poem
    • So feel free to use it as ‘evidence’ in your essay if it is relevant
  • Look at the title of the poem
    • What predictions can you make about the poem from its title? What do you think the meaning of the title is? Why do you think the poet chose this particular title for their poem?
  • Look at the opening and closing lines of the poem
    • How do these lines link to the title? Do the opening and closing lines link to each other? What has taken place between the opening and closing lines? Why has the poet used this line to open and end the poem?

Language patterns and structure

  • It is crucial to look more deeply into the poem and to identify any interesting instances of language or structural features
  • This is very much about noticing things and considering why they stand out
    • You should try to start to see patterns emerging and begin to see how language and structure are working together to make meanings
  • Structure is about the small and big building blocks of the poem
    • It is about how the poem has been put together and the impact this has on the reader to make meaning
      • Think about what the poet has chosen to include at the beginning, middle and end of their poem
      • Can you spot any changes in mood, or tone as the poem progresses?
    • How the poem is structured is part of being able to explore what is said, how it is written and what it might mean
  • Some examples a poet might make in terms of structure are: repetition, use of white space, pace created by punctuation, enjambment, caesura or rhythm
    • How do these structural devices impact the meaning of the poem? What other aspects of structure do you ‘notice’ as you read the poem? How does the structure link to the opening and ending lines of the poem?
  • You should also consider language choices the poet has made in order to create meaning
  • Scan the poem and look for any repeated words, linked words, phrases, images, or any other connections that you can make in relation to language choices
    • Can you identify any particular vivid/stand-out words or phrases? Can you identify any emotive words? Can you find examples of imagery? How does the imagery help you to understand the ideas in the poem? What patterns can you see? 

Exam Tip

It is worth noting at this stage that it is your interpretation of the poem which is important, rather than knowing the right answer. The unseen poetry section is about giving you a poem you haven’t had a chance to prepare for and see what you make of it. The examiners are “looking to reward a candidate for their comments” and to praise the overall quality of the response. This means you will receive the most marks for engaging with the poem’s ideas and forming a clear, critical argument on how the poet presents the speaker’s feelings about it. Marks will be awarded for understanding the poet’s ideas and exploring how the poet uses language, form and structural choices will help reinforce those ideas.

Further in-depth information about analysing a poem can be found in the Writer’s Methods & Techniques Section

Planning your essay

Planning your essay is absolutely vital to achieve the highest marks. Examiners always stress that the best responses are those that have a logical, well-structured argument that comes with spending time planning an answer. This, in turn, will enable you to achieve the highest marks for each assessment objective. The main assessment objectives are:

AO1

  • Write a clear essay with a central argument based on your own opinions
  • Select quotations and references from the given poem 

AO2

  • Use analysis of the poet’s methods to support your argument
  • Your plan should include all aspects of your response, covering all of the assessment objectives, but mainly focusing on AO1:
    • Your overall argument, or thesis (AO1)
    • Your topic sentences for all your paragraphs (AO1)
    • The quotations you will be using and analysing from the given poem (AO1)
    • A sense of why the poet has made the choices they have (AO2)
  • Therefore, a plan may look like the following:

Topic sentence

Evidence from unseen poem

Macrae explores ideas about being contented within your own self through her use of metaphor

“while inside his heart was fat with sun”

Macrae uses a first name, almost as an afterthought, which brings a sense of familiarity to the reader

“Harry didn’t care for things”

Macrae ends the poem with one word which helps to reinforce what she perceives as the true value of life

“diamonds”

Some other tips:

  • You do not need to include a counter-argument (disagreeing with the question/including paragraphs which begin “On the other hand”)
    • The questions have been designed to enable as many students as possible to write essays 
    • Examiners say that the inclusion of a counter-argument is often unnecessary and unhelpful
    • It can affect your AO1 mark negatively
    • Focus only on what is relevant

Exam Tip

Given the time pressure of the exam, there is always a temptation for students to do without a plan, especially if they feel they understand the focus of the question well. However, this is a mistake. 

The exam board states: “Where plans were used, the responses tended to be of better quality as the thinking time enabled the response as a whole to be more crafted and purposeful.”

What this means is that writing a plan not only enables you to achieve the highest AO1 marks (for organisation of argument) but also helps you select the most precise quotations and references, which will lead to more relevant analysis of writer’s methods (AO2).

Writing your essay

Once you have read and evaluated the question, analysed your given poem, and created a clear plan, you are ready to begin writing. Below is a guide detailing what to include.

Your essay should include:

  • An introduction with a thesis statement
  • A number of paragraphs (three is ideal!), each covering a separate point. It’s a great idea to start each paragraph with a topic sentence
  • A conclusion

Introduction

  • Your introduction should aim to clearly, and briefly, answer the question
  • The best way to do this is to include a thesis statement
  • A thesis statement is a short statement (one or two sentences) that summarises the main point or claim your argument is making
    • You should include the exact words from the question in your thesis statement
    • Examiners want to see your own opinion: your interpretation of what the poet is trying to show
  • Your thesis statement should also attempt to explain why you think the poet presented the idea or theme of the question in the way that they have: what are they trying to say overall? What are the poet’s messages?
    • A good way to think about this is to ask: what is the poet’s one big idea in terms of the ideas or themes addressed in the question?
    • Including the poet’s message or one big idea helps create a “conceptualised response”, which examiners reward the highest marks
  • An example of a thesis statement:

Question:

unseen-poetry-master-2

Thesis statement:

In The Richest Poor Man in the Valley, Macrae presents ideas about living a happy and contented life through ‘Harry’ and depicts his concept of a simple existence: it is one free from monetary possessions, working in companionship with animals and nature and one that is built on valuable friendships.”

Some other tips:

  • Introductions should not be too long, or include all the details of what each paragraph will include
    • You will not be rewarded for including the same information twice, so don’t waste time repeating yourself
  • Always include the poem in your thesis statement:
  • Write your thesis in the third person, not the first person (don’t use “I”)
    • “I believe that the poet presents ideas about living a happy and contented life in order to…”
    • “Macrae presents ideas about living a happy and contented life … in order to show …”

Paragraphs

  • Try to include three separate paragraphs that cover three separate points
    • This will ensure your response is to what examiners call the “full task”
  • Start each paragraph with a topic sentence
    • A topic sentence is an opening sentence which details the focus of its paragraph
    • It should include the words of the question
    • All topic sentences must relate to your thesis
    • They should be seen as sub-points that provide a more specific and narrower focus than your thesis statement
    • Everything that follows a topic sentence in a paragraph must support the point it makes

Example of a topic sentence:

“Macrae uses a first name, ‘Harry’, almost as an afterthought, which brings a sense of familiarity to the reader.”

  • Paragraphs should include an analysis of the poem
    • The most important thing is that you include a detailed and expanded analysis of the poet’s methods to show how and why they present ideas about living a happy and contented life as they do
  • Beware of writing an overly structured paragraph which follows a set pattern
    • You may have learned PEE, PEAL, PEED, or other structures for your paragraphs
    • However, examiners often say that although these are excellent for learning what to include in essays, they can be limiting in an exam
    • Instead, be led by the ideas in the text, and prove your own argument (both the overall thesis and your topic sentences)

Conclusion

  • It is always a good idea to include a conclusion to your essay so that your essay reads coherent and focused on answering the question throughout
    • This can result in improved marks for AO1
  • However, there is no need to spend a long time writing your conclusion
    • A conclusion for an unseen poetry essay should only summarise the proof you have provided for your thesis
    • It only needs to be two or three sentences long
    • It should include the words of the question and your thesis
    • Remember, you do not get rewarded for including the same information twice

An example of a conclusion:

“To conclude, in The Richest Poor Man in the Valley, Macrae presents ideas about living a happy and contented life to illustrate an existence which is free from the fixation on shallow material possessions to one which cherishes what Macrae considers to be the most important things in life, such as treasured friendships, the joy of nature and ultimately being content within your own self.”

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Nick

Author: Nick

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.