Pride & Prejudice: Context (AQA GCSE English Literature)

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Nadia Ambreen

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Context

Context should inform, but never dominate, your reading of the text. Any comments on contextual factors must always be linked to the ideas in the novel. When exploring the context in which Pride and Prejudice was written, you should consider: 

  • the contexts in which the text is set
  • the contexts in which the text is received
  • its literary context (genre)

Exam Tip

Whenever you mention context, remember to always link it to the key words in the question and explain how it supports the point you are making. Do not fall into the trap of writing down historical or contextual information without making it relevant to the question’s focus — you are not writing a history essay!

Gender

  • Jane Austen published Pride and Prejudice anonymously:
    • Austen wrote anonymously for her first novel, signing her work as written “by a lady” or “from the writer of Sense and Sensibility”, an earlier novel
  • This is because it was frowned upon for women to write novels at that time and she feared society’s prejudice toward her
  • Austen lived in the early 19th century, a patriarchal society, where women had limited rights:
    • Women did not have the right to own properties or businesses 
    • Men had the power to make decisions 
    • Women were not as educated as men; they were taught basic literacy skills, manners and etiquette, and how to run a household
  • The novel effectively illustrates what life was like for women in rural England during the early 19th century:
    • Her female characters are depicted as financially dependent on male characters and their primary focus is the home, family and marriage
  • From the first sentence of the novel, it is clear that a woman must secure a good future by marrying a wealthy husband in this historical context:
    • Marriage for women leads to respectability and financial security
    • Austen highlights how women with very little or no dowry were pressured to find husbands by using their youth, beauty or charm (Elizabeth and Jane) 
    • Charlotte Lucas chooses to accept Mr Collins’s proposal because she fears she may have no other opportunities (due to her age and lack of beauty) 
  • Through the character of Elizabeth Bennet, Austen challenges the rigid gender roles in society:
    • Elizabeth rejects Mr Collins’s proposal because she does not love him and would rather risk the chance of not having financial security than accept him 
    • By challenging the role and prospects that society grants her as a woman, she chooses her own destiny and finds greater happiness than other female characters 

Social class

  • During the late 18th century (when the novel was written) and the early 19th century (when the novel was published), English society had distinct social classes based on social rank and wealth:
    • Characters are often judged based on their social standing and connections
  • Jane Austen’s social status was the same as the Bennet’s status in the novel:
    • They were upper middle class, known as the “gentry
    • They were considered eligible to mix with the upper classes but were beneath them in wealth and consequence  
  • Mr Darcy and Lady Catherine de Bourgh represent upper-class society — landed gentry and the nobility — and serve to highlight difference between the classes:
    • Mr Darcy’s wealth and social status make him an eligible bachelor but his pride and initial reluctance to engage with those of lower status contribute to the central conflict in the story
  • Characters like Elizabeth Bennet challenge the notion that worth should be solely determined by class and instead advocate for personal character and integrity
  • Through Elizabeth, Austen criticises the rigidity of social hierarchy and illustrates how, if classes were allowed to mix, it would lead to greater happiness and fulfilment 
  • Mr Darcy also undergoes a development in his understanding of social class:
    • Mr Darcy realises the importance of personal character and his subsequent efforts to overcome his own class-based biases contribute to the novel’s resolution
  • Furthermore, Austen uses characters like Mr Collins to highlight the absurdity of blind adherence to social classes and the desire to climb the social ladder:
    • Characters such Miss Bingley and Lady Catherine de Bourgh, who refuse to deviate from rigid social classes and expectations, end up isolated and alone at the novel’s end 

Realism in 19th-century novels

  • Realism is a literary genre that presents stories that are realistic, ordinary and deal with everyday life
  • Jane Austen provides a realistic depiction of the social structures and hierarchies of her time:
    • The novel explores the lives of different social classes, from gentry like the Bennet family to the nobility, represented by characters like Lady Catherine 
  • The characters in the novel are realistically drawn, each with different personalities, flaws and qualities:
    • Their behaviour, speech and motivations are intricately developed, contributing to a believable narrative
  • Austen realistically portrays the courtship and marriage customs of 19th-century English society:
    • The characters’ thoughts on financial stability, social status and compatibility in their pursuit of marriage reflect the realities of the time
  • The writer incorporates realistic settings, such as rural England, the town of Meryton, and the estate of Pemberley:
    • These locations contribute to the novel’s authenticity and provide a realistic backdrop
  • Characters’ discussions about dowries, inheritance and financial stability reflect the economic limits of Austen’s era and the issues related to marriage and future security 
  • The novel explores a range of moral dilemmas and choices faced by characters:
    • Their struggles with pride, prejudice and personal growth contribute to a realistic portrayal of human nature and the complexities of relationships
    • Through the characters and their interactions, Austen explores the complexities of human behaviour

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Nadia Ambreen

Author: Nadia Ambreen

Nadia is a graduate of The University of Warwick and Birmingham City University. She holds a PGCE in secondary English and Drama and has been a teacher for over 10 years. She has taught English Literature, Language and Drama across key stages 3 to 5. She has also been an examiner for a leading exam board and has experience designing and delivering schemes of work for AQA, Edexcel and Eduqas.