Learn more about the meaning of this poem to help you to confidently answer an exam question on this IGCSE poetry anthology:
- The poem in a nutshell
- A “translation” of the poem, section-by-section
- A commentary of each of these sections, outlining Adcock’s intention and message
‘The Telephone Call’ in a nutshell
‘The Telephone Call’ by Fleur Adcock is a poem first published in 1986. It concerns a conversation the speaker has with a mysterious caller who has told the speaker that they have won the lottery.
‘The Telephone Call’ breakdown
Lines 1–4
“They ask me ‘Are you sitting down?
Right? This is Universal Lotteries’,
they said. ‘You’ve won the top prize,
the Ultra-super Global Special.”
Translation
- The speaker receives a mysterious phone call
Adcock’s intention
- The opening question immediately sets the tone of suspense:
- The fact that they ask whether the speaker is sitting down suggests that the news they are about to deliver is shocking or unexpected
- The phrase “this is Universal Lotteries” indicates that the call is related to some sort of prize:
- Lotteries are typically associated with luck and chance, so the mention of this organisation heightens the anticipation for what the prize might be
- Also, the name “Universal” suggests that this could be a worldwide organisation
- The caller then tells the speaker that have won the “top prize, the Ultra-super Global Special”:
- The use of the hyperbolic language adds to the surreal and exaggerated nature of the announcement
- It could also suggest that the prize is something extraordinary
Lines 5–8
“What would you do with a million pounds?
Or, actually, with more than a million -
Not that it makes a lot of difference
Once you’re a millionaire.’ And they laughed.”
Translation
- The speaker recounts what the caller says
Adcock’s intention
- The repetition of the word “million” emphasises how much money they are talking about:
- However, the addition of the word “actually” blurs the difference between the initial prize of a million pounds and the even larger sum
- The reader questions the legitimacy of the call as the caller has changed the prize amount
- It is important to note that, in these lines, the caller has not explicitly said that the speaker has won any money
- The caller then “laughs” at the end of the stanza, which creates a sinister and unsettling tone:
- The reader is unsure about what the caller is laughing about
- This makes the reader question whether the caller’s motives are honest or not
Lines 9–13
“‘Are you ok?’ they asked - ‘Still there?
Come on, now, tell us, how does it feel?’
I said ‘I just…I can’t believe it!’
They said ‘That’s what they all say.
What else? Go on, tell us about it.’”
Translation
- The dialogue between the caller and the speaker continues with the caller asking how the speaker feels
Adcock’s intention
- The use of the short, sharp questions from the caller reflects the sense of urgency and eagerness in their voice as they want the speaker to react to what they have said:
- The caller is dominating and directing the conversation
- The questions that the caller is asking could suggest that he is coaxing the speaker and trying to bring out a reaction from them:
- Again, it makes the caller seem quite sinister and their motives appear questionable
- The caller is using the imperative mood by placing the verb at the start of the phrase:
- For example: “come on” and “go on”
- This could suggest that the caller is forcing the speaker to interact and engage in conversation
- The caller’s response to the speaker’s exclamation of disbelief is almost mocking and condescending as they claims that the speaker’s reaction is unoriginal
Lines 14–20
“I said ‘I feel the top of my head
has floated off, out through the window,
revolving like a flying saucer.’
‘That’s unusual’ they said. ‘Go on.’
I said ‘I’m finding it hard to talk.
My throat’s gone dry, my nose is tingling.
I think I’m going to sneeze - or cry.’”
Translation
- The speaker describes how they are feeling to the caller
Adcock’s intention
- The speaker has used a simile to convey the sensation of their head feeling light or detached from their body:
- The image emphasises the disorienting and surreal nature of their experience and adds a comical element to the conversation
- The caller then prompts the speaker to continue expressing her emotions and the speaker then describes the way they are feeling:
- The speaker’s dialogue is reactive and has an almost innocent, truthful quality
- “I’m going to sneeze - or cry” contrasts with the slightly cold, forceful language that the caller uses
Lines 21–26
“‘That’s right’ they said, ‘don’t be ashamed
of giving away your emotions.
It isn’t every day you hear
You’re going to get a million pounds.
Relax, now, have a little cry;
we’ll give you a moment…’ ‘Hang on!’ I said”
Translation
- The caller encourages the speaker to express their emotions freely
Adcock’s intention
- The caller further validates the speaker’s emotions by reminding them that they are “going to get a million pounds” re-emphasising how rare and extraordinary it is to receive such a large sum of money
- The caller encourages the speaker to “have a little cry”:
- This suggests that they are trying their hardest to elicit an extreme reaction from the speaker
- The speaker’s exclamation of “Hang on” indicates a sudden realisation and the speaker’s need to address something important
Lines 27–32
“‘I haven’t bought a lottery ticket
for years and years. And what did you say
the company’s called?’ They laughed again
‘Not to worry about a ticket.
We’re Universal. We operate
A retrospective Chances Module.”
Translation
- The speaker realises that they have not bought a lottery ticket and the conversation continues
Adcock’s intention
- The speaker begins to doubt the legitimacy of the win as they realise that they have not participated in a lottery draw for quite some time
- The laughter of the caller is clearly an attempt to disregard the speaker’s questions and adds a layer of ambiguity:
- We do not know if they are dismissing the speaker’s scepticism or attempting to manipulate the speaker
- The caller attempts to regain control of the conversation by explaining the mechanisms behind their company:
- The explanation is an attempt to reassure the speaker about the validity of their win despite not buying a ticket recently
Lines 33–37
“Nearly everyone’s bought a ticket
in some lottery or another,
once at least. We buy up the files,
feed the names into our computer,
and see who the lucky person is.’”
Translation
- The caller explains how their company works
Adcock’s intention
- The representative explains how the company operates and suggests that lottery participation is a common experience, implying that most people have bought a lottery ticket at least once in their lives:
- This observation underscores the widespread appeal of lotteries and their role as a form of entertainment or a glimmer of hope for many individuals
- By detailing the steps involved in selecting a lucky individual, the speaker provides a behind-the-scenes glimpse into an otherwise enigmatic aspect of lottery operations:
- This adds depth to the poem’s exploration of chance, luck and the human desire for fortune
Lines 38–42
“‘Well, that’s incredible’ I said.
‘It’s marvellous. I still can’t quite…
I’ll believe it when I see the cheque.’
‘Oh,’ they said, ‘there’s no cheque.’
‘But the money?’ ‘We don’t deal in money.’”
Translation
- The caller tells the speaker that they do not give out monetary prizes
Adcock’s intention
- The speaker expresses their amazement and excitement at the news of winning the prize:
- The ellipsis conveys the speaker’s doubt and scepticism regarding their win
- The mention of wanting to “see the cheque” before fully believing suggests a desire for tangible proof of their win, reinforcing the surreal nature of the experience
- The caller responds by declaring that they “don’t deal in money”:
- This contradicts the speaker’s expectation of receiving a cheque and introduces a twist in the narrative
- This unexpected turn adds intrigue and uncertainty to the conversation, leaving the speaker and the reader questioning how the prize will be received or what it truly entails
Lines 43–48
“Experiences are what we deal in.
You’ve had a great experience, right?
Exciting? Something you’ll remember?
That’s your prize. So congratulations
From all of us at Universal.
Have a nice day!’ And the line went dead.”
Translation
- The caller reveals the unconventional nature of the prize
Adcock’s intention
- The first line introduces a unique concept of prize distribution, suggesting that the company values and provides experiences rather than traditional material rewards:
- It reframes the notion of winning a lottery prize, shifting the focus from tangible possessions to intangible memories and moments
- The caller’s questions emphasise the subjective value of the experience, seeking validation from the speaker that the prize in indeed worthwhile and memorable:
- By prompting the speaker to reflect on the excitement and significance of the experience, the caller reinforces the idea that the prize holds personal meaning beyond its monetary value
- The final line “and the line went dead” signifies the end of the conversation as the caller disconnects the call:
- The abruptness of the ending adds a sense of finality and leaves the speaker to contemplate the unconventional nature of their prize instead of being given the chance to argue or ask questions